![]() The major chord shape fits inside of the major pentatonic scale, so you can see which notes from the scale you can add to create different extensions and melodic movements. Over the major chords, you’ll be visualising a major pentatonic scale, and over the minor chords you’ll be visualising a minor pentatonic scale. To do this, you need to visualise scales over the chords as shown in the video above. ![]() Once you nail your triad-style voicings, you can use your little finger to add some extra notes and embellishments to your chords in a very Hendrix style way. Check out the related timestamp in the video and see how you can mix this with alternating bass notes for an even more interesting take on the chord. You can use this to your own rhythm or stick to a common shuffle style rhythm. We’re going to break down major and minor chords into simple triad and thumb chords. You can use this Jimi Hendrix / John Mayer style approach to chords to free up some sonic space in your progressions by removing duplicate notes from the chord. Start the chord one fret lower than where it needs to be and immediately slide it to the target fret on the beat. This works great in a funk context with shorter triad-style chords, or chords like the Dom9 as seen in the video. If you’re looking for a way to break up a boring rhythm, especially if you’re playing barre chords in a funk style, dropping the chord by a semi-tone and sliding up to your target is a great way to add some interest to your chord pattern. Learn more: Try these 5 inspiring slash guitar chords to learn The note to the left of the slash is the chord and the note to the right is the lowest note you’re hearing. It turns the chords into different inversions, so they’ll be written as slash chords. This lower 5th gives the chord a fuller, richer sound.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |